| DOI: | 10.1002/wcc.400
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| Scopus记录号: | 2-s2.0-84973370329
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| 论文题名: | Visual climate change art 2005–2015: discourse and practice |
| 作者: | Nurmis J
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| 刊名: | Wiley Interdisciplinary Reviews: Climate Change
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| ISSN: | 17577780
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| 出版年: | 2016
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| 卷: | 7, 期:4 | | 起始页码: | 501
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| 结束页码: | 516
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| 语种: | 英语
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| 英文关键词: | Exhibitions
; Anthropocene
; Climate system
; Copenhagen
; Cultural reality
; Human being
; Out of step
; Social problems
; Subject matters
; Climate change
; art
; climate change
; regional climate
; social movement
; Australia
; Boston
; Boulder
; Colorado
; Copenhagen [(CTY) Hovedstaden]
; Denmark
; England
; France
; Hovedstaden
; Ile de France
; London [England]
; Massachusetts
; Melbourne
; New York [New York (STT)]
; New York [United States]
; Paris
; United Kingdom
; United States
; Victoria [Australia]
; Ville de Paris
|
| 英文摘要: | During the last decade (2005–2015), artists from all over the world have taken on climate change as the subject matter of their work. Encouraged by activists (most notably Bill McKibben), artists have appropriated climate change as a social problem and decided that they too, alongside journalists, scientists, and activists, were called upon to engage with this issue. Dozens of noteworthy exhibitions, most notably in Boulder (2007), London and Copenhagen (2009), Paris (2012), New York (2013), Boston (2014), and Melbourne (2015), have placed climate change art on the map as a new and timely genre, displaying relevant artworks both alongside climate negotiations and in dedicated gallery spaces such as the Barbican in London. I argue that much progress has been made in appropriating climate change art as an essentially artistic, rather than propagandistic or activist practice. Although caught in the net of many criticisms, climate change art plays a crucial role in allowing the public to rethink the role of human beings’ everyday activities in irrevocably altering the climate system. In effect, climate change art makes the Anthropocene a cultural reality. However, the review points out a strong artistic trend toward the imagery of apocalyptic sublime, which results in art that may be poignant, but falls out of step with the self-professed motivations of artists and curators alike. WIREs Clim Change 2016, 7:501–516. doi: 10.1002/wcc.400. For further resources related to this article, please visit the WIREs website. © 2016 Wiley Periodicals, Inc. |
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| 资源类型: | 期刊论文
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| 标识符: | http://119.78.100.158/handle/2HF3EXSE/76219
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| Appears in Collections: | 影响、适应和脆弱性
气候变化与战略
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作者单位: | Philip Merrill College of Journalism, University of Maryland, College Park, MD, United States
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| Recommended Citation: | |
Nurmis J. Visual climate change art 2005–2015: discourse and practice[J]. Wiley Interdisciplinary Reviews: Climate Change,2016-01-01,7(4)
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